So who is this Rhythm Reference crew?
Finally, for our audio recording, engineering and mixing needs, we've enlisted Ryan Rusch of "The Weight Room" in Washburn Wisconsin. High quality audio is not easy to achieve, and we're grateful to have a pro like Ryan on the team!
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The Rhythm Reference team has consisted of Fara Tolno and Scott Griffiths since 2011.
Fara and Scott have been working together since Fara graciously welcomed a very rookie djembe student (Scott) into his performance troupe, Kissidugu, back in 2004. In 2006, Scott and Fara began combining skills to take drumming into schools around Colorado by launching Project Drum. In 2007, our friend Robert Hensley approached Fara to ask if he would be willing to record a concise reference, so that Robert could have a simple learning and memory tool... and with that idea, and Robert's generous support, the Rhythm Reference Project was born. In 2011, Robert left the organization. Scott and Fara have been running the Rhythm Reference as a duo until late 2014. Its been quite a ride! |
A little more about Fara....
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finding ways to relate and merge the art form of dance and music from his culture with that of the western world. Fara is sharing this new and innovative perspective through his teaching in community and university classes, providing a one of a kind opportunity and outlook at traditional West African dance, and its relation historically and currently into the western world.
Fara is the founder, director, and choreographer for Kissidugu, his percussion and dance theatre ensemble. He is training and performing with a variety of students; combining traditional performance styles and pieces from Guinea with his own insights and knowledge of rhythms and movement.
Fara also provides access to the rhythms of Guinea through the Rhythm Reference Project, the most comprehensive audio and notation library ever compiled for West African Drumming. This project provides instructions and audio tutorials on over 50 traditional rhythms, all recorded by Fara.
Fara has performed with many of the world’s premier musicians including Mamady Keita, Burning Spear, Neil Young, Sekouba Bambino, Otis Taylor, Joe Cocker, Youssou N’Dour, Salif Keita Habibe Koite, B.B. King, Oumou Sangare, and many more…
Fara’s performance style has been described as mystical as he dazzles audiences around the world. As the director of Kissidugu, he has expanded his depth of knowledge to the realm of musical arrangement and choreography. Fara has a magical way of teaching everything from the basics to the beautiful intricacies of West African percussion to Western players of all levels and ages. His energetic and compassionate teaching style make him one of the most sought after drum and dance instructors in the United States.
Fara is the founder, director, and choreographer for Kissidugu, his percussion and dance theatre ensemble. He is training and performing with a variety of students; combining traditional performance styles and pieces from Guinea with his own insights and knowledge of rhythms and movement.
Fara also provides access to the rhythms of Guinea through the Rhythm Reference Project, the most comprehensive audio and notation library ever compiled for West African Drumming. This project provides instructions and audio tutorials on over 50 traditional rhythms, all recorded by Fara.
Fara has performed with many of the world’s premier musicians including Mamady Keita, Burning Spear, Neil Young, Sekouba Bambino, Otis Taylor, Joe Cocker, Youssou N’Dour, Salif Keita Habibe Koite, B.B. King, Oumou Sangare, and many more…
Fara’s performance style has been described as mystical as he dazzles audiences around the world. As the director of Kissidugu, he has expanded his depth of knowledge to the realm of musical arrangement and choreography. Fara has a magical way of teaching everything from the basics to the beautiful intricacies of West African percussion to Western players of all levels and ages. His energetic and compassionate teaching style make him one of the most sought after drum and dance instructors in the United States.